"I see," said Owen, looking at his gloves. "I can give her a day or two, you know. Of course I didn't come down to sleep," he went on. "The inn seems a horrid hole. I know all about the trains—having no idea you were here." Almost as soon as his interlocutress he was struck with the absence of the visible, in this, as between effect and cause. "I mean because in that case I should have felt I could stop over. I should have felt I could talk with you a blessed sight longer than with Mummy." Fleda looked at her quiet face, which the appearance of slumber always made particularly handsome; she noted how much the ordeal of the last few weeks had added to its indications of age. "Well then, try me with something. What is it you demand?"!

"I remembered how you had tied my hands about saying a word to Owen." Here was a faint illumination with which Mrs. Gereth instantly mingled her fire. "You dear old wretch!" she exclaimed; and she again, with ferocity, embraced her young friend.

"Superstitious?" "I don't want to see any letter," said Fleda. "You'll miss your train." "You've simply, in your extremity, made a delight of her." Fleda took the highest line and the upper hand, and as Mrs. Gereth, challenging her cheerfulness, turned again a lustreless eye over the contents of the place, she broke into a rapture that was unforced, but that she was conscious of an advantage in being able to feel. She moved, as she had done on the previous occasion, from one piece to another, with looks of recognition and hands that lightly lingered, but she was as feverishly jubilant now as she had formerly been anxious and mute. "Ah, the little melancholy, tender, tell-tale things: how can they not speak to you and find a way to your heart? It's not the great chorus of Poynton; but you're not, I'm sure, either so proud or so broken as to be reached by nothing but that. This is a voice so gentle, so human, so feminine—a faint, far-away voice with the little quaver of a heart-break. You've listened to it unawares; for the arrangement and effect of everything—when I compare them with what we found the first day we came down—shows, even if mechanically and disdainfully exercised, your admirable, infallible hand. It's your extraordinary genius; you make things 'compose' in spite of yourself. You've only to be a day or two in a place with four sticks for something to come of it!"